Projection

ISEA (International Symposium of Electronic Art) Brisbane 2024 /  by Kellie O'Dempsey

ISEA (International Symposium of Electronic Art) Brisbane 2024
Time Tracing (2020) & Wish you were here on VHS (2024)

Video Duration 15min

June 2024
Video Sample – Time Tracing

The Cube QUT Gardens

Time Tracing recreates the map lines of the Murrumbidgee river as giant water drawings in the earth, which–over time–move, extend and connect. Working in collaboration with local Wagga Wagga artists, this large-scale video work incorporates dance, movement and sound that simulate the power of the Murrumbidgee river catchment. This ancient and fragile ecosystem has held and traced story for communities throughout time; Time Tracing aims to honour the unique characteristics of the Murrumbidgee river, in all its all states; flood, drought and flow acknowledging the catchment’s significance to communities both past and present.  Filmed on the banks of the river at dusk, with Indigenous and non-Indigenous emerging performers of Wagga Wagga, the video aims to celebrate the river’s connection to the land and people it supports across time as a collision of moving bodies utilise lines and repetition. Commissioned by Wagga Wagga Council

Artist: Kellie O’Dempsey
Sound: Mick Dick
Videographer: Damien Jenkins from Next Inline Productions
Performers: Wes Boney, Zoë Hadler, Natasha Strimpf, Markus Wright

Wish you were here on VHS is an immersive video of collaged test patterns, glitches and moving figures that transports the viewer into an uncertain landscape. The Wish you were here series began as a response to lockdowns and has continued to develop with transforming elements of humour and oddity. In this version, swimming eyeball fish collide with unstable analogue geometry. In search of progress, multiple figures attempt to travel, yet go nowhere in this oddball world. Their figurative and abstract forms gently smash together as we all fumble for connection. Through repetitive rhythm, monotonous loops, remnants of the pre-, in non-specific locations and an unspecified time,  Wish You Were Here blends the physical and promises endless energy to keep trying in this weird and changing world.

Artist: Kellie O'Dempsey
Sound: Mick Dick
Augmented Reality & Animation: Helena Papageorgiou

Wish you were here (Grafton) /  by Kellie O'Dempsey

Wish you were here (Grafton)

Installation, 2024

Grafton Regional Gallery
17 Feb – 20 April 2024

Wish You Were Here began as a response to the lockdown life of the pandemic.

In this installation, uncanny household objects collide with uncertain landscapes. In search of progress, multiple figures attempt to travel yet go nowhere in this oddball world. Their figurative and abstract forms gently smash together to imitate how we fumble for connection. 

Through repetitive rhythm, monotonous loops, neon lights, remnants of billboard posters, collaged objects and an unspecified time, Wish You Were Here blends the physical and the psychological for a moment of hypnotic but joyful reprieve.

Wish You Were is an immersive installation of collaged works on paper, projected animation, sound and Augmented Reality (AR). 

Sound by Mick Dick and AR by Helena Papageorgiou.
Photos and Video by Sim on Hughes Photography

She Does (working title) /  by Kellie O'Dempsey

She Does (working title)

Installation, 2023

2 Dec 2023 to 18 Feb 2024
Noosa Regional Gallery 

Installation, video, furniture 2023
Artist Kellie O’Dempsey

Videographer: Jorge Serra
Sound: Mick Dick
Movement Consultant: Ruby Donohoe
Photographer: Warwick Gow

She Does (working title) gives visual form to the memory and experience of the liminal space between dying and death. In caring for someone exiting this life, Kellie O’Dempsey felt like they were a caretaker of memories; and the objects—cupboards, boxes, antiquities and personal effects—wherein these memories are infused. She Does (working title) uses these objects to explore the complex fragility, intimacy, exhaustion and boredom of this temporal space, when one is confronted with their own mortality via the death of a parent. Drawing on installation, performance and video, O’Dempsey ritualises care and nurtures relationality to quietly honour women’s unseen labour and question the value of care in a society that values capital.

Noosa Regional Gallery Director Michael Brennan

Kellie O'Dempsey is renowned for an installation practice that integrates projection, video, collage, architectural space, gestural line, performance and digital drawing. She Does draws together various aspects of this way of working to sensitively explore the gravity and responsibility of caring for the life and memory of another – particularly one who was once responsible for caring for you.

The development of She Does (Working Title) was supported by RADF (Regional Arts Development Fund) & the Sunshine Coast Council   

Wish You Were Here /  by Kellie O'Dempsey

Wish You Were Here

Jan Manton Gallery
3 - 28 October, 2023


Jan Manton Gallery exhibition link

Essay by Dr Louise R Mayhew

Jan Manton Gallery is pleased to present Kellie O'Dempsey's debut commercial exhibition Wish You Were Here on show between 3 - 28 October 2023. Wish You Were Here is an immersive installation of collaged works using paper, drawing, tape and video that transports the viewer into an uncertain landscape. Begun throughout the early days of the pandemic, worked and refined in 2023 during post-covid living, Wish You Were Here  began as a response to lockdowns and has continued to develop with transforming elements of humour and oddity.

In this site-specific installation, uncanny household objects collide with uncertain landscapes. In search of progress, multiple figures attempt to travel, yet go nowhere in this oddball world. Their figurative and abstract forms gently smash together as we all fumble for connection. Through repetitive rhythm, monotonous loops, neon lights, remnants of billboard posters, collaged objects and an unspecified time, Wish You Were Here blends the physical and the psychological for a moment of hypnotic but joyful reprieve.

Wish You Were Here is an ongoing project and has previously been exhibited at: Redlands Art Gallery, Cleveland; Northsite Contemporary Art Space, Cairns; Outer Space; Brisbane and Bundaberg Regional Gallery. It has been selected for the 2022 Queensland Regional Art Award. O’Dempsey’s other past performances and works have also been shown at: Art after Dark; Pier 2/3; 18th Biennale of Sydney; MONA FOMA, Hobart; White Night Melbourne; and the National Gallery of Australia, Canberra; City of Brisbane’s Botanica 2019 & 2021; as well as the interactive exhibition 'The Storytellers' at the Museum of Brisbane.

The exhibition is accompanied by a soundtrack composed by Mick Dick.
Fish animated by Helena Papageorgiou.

Link to catalogue

Bloom /  by Kellie O'Dempsey

Bloom

Presented by Orange Regional Gallery and Orange City Council 

Kellie O’Dempsey x Mick Dick
Large-scale public performance 

Roberstson Park, Orange, NSW
Friday 3 November 2023

Part of Orange City Council’s Future City Public Art project, Kellie O’Dempsey and Mick Dick presented light projections onto trees in the park, synchronized to the rhythm of Mick Dick’s music, during two after dark performances.

This large-scale projection performance that contemplates the transformation of blossoming flora as an act of wonder. Using light and sound, shape shifting images of illuminated colour move across existing foliage with growing lines, bold shapes and electric hues of blush, deep orange and amber. 

Bloom acted as an emotional directive drawing the audience into the public space. Slow-moving lines of light grow to a monastic sound performed live in Robertson Park. This work offered elements of ranscendental connection and celebrates the phenomena of nature as shared experience of everchanging wonderment.

This interdisciplinary performance used video projection, animation and sound. Using iPads connected via HDMI cables to and a perfectly positioned projector. Together sound artist Mick Dick, Kellie O’Dempsey will drew and animate live to an improvised soundtrack of delay and reverb that filled the park.

Photography John Daly and Cecilie Knowles
Videography John daly

Hearing Line Seeing Sound /  by Kellie O'Dempsey

Hearing Line Seeing Sound

Performed at OUTBOUND Contemporary Dance x Live Art Festival, Sunshine Coast, Queensland

Kellie O’Dempsey x Mick Dick
Friday 6 October & 7 October, 2023


A live drawing and sound performance. 

A multisensory integration where simultaneously experienced sensory modalities become a single multisensory perception. Operating as a shared experience, Hearing Line Seeing Sound is a moment in Kellie and Mick’s ongoing exploration of sound and vision as a collaborative improvised performance of line and tune. Simultaneously Kellie’s line drawings of light are site generated in direct conversation with Mick’s evolving tonal audio. They attempt to enter together as they trace their location at the intersection of drawing and audio sound and vision.

OUTBOUND Contemporary Dance x Live Art Festival supported by ArtsCoast, Sunshine Coast Council, Regional Arts Development Fund Queensland

Photographer Tim Birch
Video Time Birch 
Short Video Ruby Donohoe

Wish You Were Here Too (2022) /  by Kellie O'Dempsey

Wish You Were Here Too (2022)

22 July — 25 August 2022

Outerspace

Outer Face is an iteration of Outer Space’s digital projection public art program, on display across the building façade of Judith Wright Arts Centre.

Curated by Alice Rezende

Wish You Were Here Too (2022) is a reimagining of Kellie O’Dempsey’s exhibition Wish You Were Here (2021), displayed at Redland Art Gallery, Cleveland, in 2021, and NorthSite Contemporary Arts, Cairns, in 2022. In this façade-specific iteration, readymade collages constructed from billboard poster strips – which O’Dempsey has been collecting for years – appear mountain-like and menacing. Meanwhile, a rendition of ghostly silhouettes of the artist hold their balance precariously, their movements softened by a stack of echoing frames. Nearby, mechanical-like fish with giant eyeballs for bodies float by without a care in the world. Taken together, these minutely considered elements allude to O’Dempsey’s similarly complex inner world. They are reflections on the balancing act of holding space for family, which O’Dempsey has experienced as the primary carer of a sick and elderly parent: “For me, the unknowable and surreal landscape of transitioning from daughter to [the] parent of my parent is one of endurance” (1). Conscious of not falling over, O’Dempsey’s senses seem heightened to the “rocky landscape that is contemporary living,” one that she likens to an absurd abyss, or a “post-Covid treadmill” (2). Yet the artist understands the need to forge ahead into a “psychedelic continuum” (1): a rhythm beyond linear time. I imagine that for O’Dempsey, this room of one’s own, this rich euphoric world, lies very presently within.

Notes
(1) Wish You Were Here exhibition excerpt, courtesy of the artist.
(2) O’Dempsey, Kellie. ‘Re: Final video - Kellie O'Dempsey’. Email, 2022.

 

Photographer: Louis Lim

Queensland Regional Art Award 2022 /  by Kellie O'Dempsey

The Queensland Regional Art Awards (QRAA) is an annual visual arts prize and exhibition for established and emerging artists living in regional and remote Queensland. The program aims to provide a platform for further professional development.

The 2022 QRAA explored the concept of ‘Reframe’, calling artists to enter work which drew upon experiences and observations, reflecting upon the past year or two and responding to our changing world.

‘Reframe’ is an opportunity to see our current situation from a different perspective, to inspire problem solving and decision making and apply learning, whilst constructively responding, shifting and evolving.

2023 TOURING EXHIBITION LOCATIONS

Mulga Lands Gallery, Charleville – 29 March to 29 April 2023

Longreach Community Library, Longreach – 17 May to 28 May 2023

Bushmans Art Gallery, Blackall – 15 June to 2 July 2023

Coalface Art Gallery, Moranbah – 26 July to 13 August 2023

Botanic Gardens Visitor Centre, Cairns – 1 September to 24 September 2023

Goondiwindi Regional Civic Centre Gallery, Goondiwindi– 25 October to 28 November 2023

 

REFRAME

In 2022, the QRAA is an invitation to explore the concept of ‘Reframe’, calling artists to enter work which draws upon experiences and observations. It is a cause to reflect upon the past year or two and respond to our changing world. 

‘Reframe’ is an opportunity to see our current situation from a different perspective. It inspires problem solving, decision making and learning, whilst constructively responding, shifting and evolving.

 

2022 QUEENSLAND REGIONAL ART AWARDS JUDGING PANEL

Aven Noah Jr., Curator, NorthSite Contemporary Arts, Bulmba-ja Arts Centre, Cairns.
Rebecca McDuff, Gallery Director, Bundaberg Regional Galleries, Bundaberg.
Elisabeth Findlay, Director, Queensland College of Art, Griffith University, Brisbane.
Hamish Sawyer, Independent curator and writer, Brisbane.

 

WISH YOU WERE HERE 1

Artist: Kellie O’Dempsey
Artist Location: Coolum Beach
Medium: mixed media collage and projection, 2021
Dimensions: 120 x 0 x 120 cm

Wish You Were Here 1 began as a re-imagining of post-pandemic life. Here, the uncanny collides with the uncertain. In search of progress a figure attempts to travel yet goes nowhere. Wish You Were Here 1 is a moving drawing of collaged works on paper with projection. Using repetitive rhythm and monotonous loops in a non-specific location and an unspecified time, this works blends the physical and the psychological for a moment of hypnotic and absurdity in an attempt to find balance in an uncertain world.

Photographer: Kellie O’Dempsey

 

SCCA Sunday Coaster: Hearing Line Seeing Sound /  by Kellie O'Dempsey

Hearing Line Seeing Sound

March 30th 2022

Kellie O’dempsey with sound artist Mick Dick Live drawing and sound performance in the Bunker at the Eumundi Hotel for the Sunshine Coast Arts Alliance Program Suncoaster.

Many years ago, I was at a talk by the German film director Wim Wenders (Wings of Desire, Paris Texas, Pina and so on). He spoke about film as an amalgam of sound and vision. Of course, I immediately recalled David Bowies’ song from the Low Album Sound and Vision. 

            “Blue, Blue electric blue that’s the colour of my room…. Waiting for the gift of sound and vision.” 

From memory (which is not my best attribute) Wim Wenders went on to say that when sound and vision occur together, a 3rd sensory experience happens. A sense of wonder—a phenomenon where the audience can be transported.   

This is called multisensory integration where simultaneously experienced sensory modalities become a single multisensory perception. Since humans are animals, we use sight, touch, taste and so on to affect how we make meaning and perceive our experiences in the world. 

Operating as a shared experience, Hearing Line Seeing Sound is a moment in Kellie and Mick’s ongoing exploration of sound and vision as a collaborative improvised performance of line and tune. Simultaneously Kellie’s line drawings of light are site generated in direct conversation with Mick’s evolving tonal audio. They attempt to enter together as they trace their location at the intersection of drawing and audio sound and vision. 

Kellie and Mick collaborate in developing site-generated improvised performances that attempt to transfix as they trace their location at the intersection of line and audio, sound and vision. Performances include MONA FOMA, Biennale of Sydney, White Night Melbourne, National Gallery of Australia and Museum of Brisbane. 

Photographer: Timothy Birch

Presented by

 

Time Tracing /  by Kellie O'Dempsey

 

Time Tracing
Video Projection | 40 metres long
Wagga Wagga Library and Council Façade | Wagga Wagga, NSW
1 Oct - 30 Oct 2020
Kellie O’Dempsey | Sound: Mick Dick | Videographer: Damien Jenkins from Next Inline Productions | Performers: Wes Boney, Zoë Hadler, Natasha Strimpf, Markus Wright

Time Tracing recreates the map lines of the Murrumbidgee river as giant water drawings in the earth, which–over time–move, extend and connect. Working in collaboration with local Wagga Wagga artists, this large scale video work incorporates dance, movement and sound that simulate the power of the Murrumbidgee river catchment. This ancient and fragile ecosystem has held and traced story for communities throughout time; Time Tracing aims to honour the unique characteristics of the Murrumbidgee river, in all its all states; flood, drought and flow acknowledging the catchment’s significance to communities both past and present.  Filmed on the banks of the river at dusk, with Indigenous and non-Indigenous emerging performers of Wagga Wagga, the video aims to celebrate the River’s connection to the land and people it supports across time as a collision of moving bodies utilise lines and repetition.

Video Link 

Credit | Photography: The Artist

 

Street Love /  by Kellie O'Dempsey

 

Street Love
Projection and light installation, sizes variable, Felicity Park | Caloundra, QLD
2 Oct – 4 Oct 2020 | Projections in Felicity Park
2 Oct – 30 Oct 2020 | Window light boxes over Felicity Park

Street Love celebrates community space as a place of consideration and wonder. Curator and artist, Kellie O’Dempsey, invited audiences to share in a participatory exchange through perceptual experience incorporating projection, video, sound and light installation. Street Love includes artwork by Kellie O’Dempsey, Adam Anderson, CLUNKK (Sophie Reid-Singer) and sound by Mick Dick. Together these artists explore the relationship between the physical environment, light, and colour while utilising video to create new interpretations of familiar places.

Place2Play was a creative public activation program in line with the Caloundra Public Art Plan. The project brought temporary and permanent artwork to our streets and laneways, inspiring new ways for residents and visitors to experience and rediscover Caloundra.

 
 
 
 
 

Links | Place2Play
Credits | Photographer: Tim Birch, The Artist

 
 
Street Love logo 1.png
Street Love
Street Love

Ensemble /  by Kellie O'Dempsey

Photographer: Andrew Willis

 

Ensemble
June 2018
Projection on William Jolly Bridge | Brisbane, Australia
For the Brisbane Classic Music Festival
Presented by BRISBANE CITY COUNCIL


Ensemble was originally created live during a performance featuring members of the Shanghai Chamber Ensemble. Describing two of the violinists, the dynamic and bold brush marks were a direct response to the virtuosity of the musicians playing. This drawing interprets the energy and flow of sound through a fluid and liquid application. It creates itself as a direct translation of drawing music in real time.

Credit | Photographer: Andrew Willis